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"Lord Caitanya further explained that not only Krsnaloka but even Vrndavana, Lord Krsna's abode on this planet, cannot be estimated as far as potency is concerned. From one point of view, Vrndavana is estimated to be thirty-two square miles in area, yet in one part of this Vrndavana all the Vaikunthas exist. The area of the present Vrndavana miles in area, and Vrndavana City is estimated to be about sixteen krosas, or thirty-two miles. How it is all the Vaikunthas exist there is beyond material calculation. Thus Caitanya Mahaprabhu proclaimed the potencies and opulences of Krsna to be unlimited. Whatever He told Sanatana Gosvami was only partial, but by such a partial presentation one can try to imagine the whole."
"Krsna is so wonderful and attractive that He Himself becomes attracted by His own beauty, and this is proof that He is full of all inconceivable potencies. As far as Krsna's ornaments are concerned, when they decorate His body it appears that they do not beautify Him, but the ornaments themselves become beautiful simply by being on His body. When He stands in a three-curved way, He attracts all living entities, including the demigods. Indeed, He even attracts the Narayana form which presides in each and every Vaikuntha planet."
"Krsna is known as Madana-mohana because He conquers the mind of Cupid. He is also known as Madana-mohana due to His accepting the devotional service of the damsels of Vraja and rendering favors unto them. After conquering Cupid's pride, the Lord engages in the rasa dance as the new Cupid. He is also known as Madana-mohana because of His ability to conquer the minds of women with His five arrows called form, taste, smell, sound and touch. The pearls of the necklace which hangs about the neck of Krsna are as white as ducks, and the peacock feather which decorates His head is colored like a rainbow. His yellow garment is like lightning in the sky, and Krsna Himself is like the newly arrived clouds. The gopis are like footbells on His feet, and when the cloud pours rain on the grains in the field, it appears that Krsna is nourishing the hearts of the gopis by calling down His pastime rain of mercy. Indeed, ducks fly in the sky during the rainy season, and rainbows can also be seen at that time. Krsna freely moves amongst His friends as a cowherd boy in Vrndavana, and when He plays His flute, all living creatures, mobile and immobile, become overwhelmed with ecstasy. They quiver, and tears flow from their eyes. Of Krsna's various opulences, His conjugal love is the summit. He is the master of all riches, all strength, all fame, all beauty, all knowledge and all renunciation, and out of these, His perfect beauty is His conjugal attraction. The form of Krsna, the conjugal beauty, is eternally existent in Krsna alone, whereas His other opulences are present in His Narayana form."
"The body of Krsna, the ocean of the eternal beauty of youth, can be seen to move in waves of beauty. There is a whirlwind at the sound of His flute, and those waves and that whirlwind make the hearts of the gopis flutter like dry leaves on trees, and when those leaves fall down at Krsna's lotus feet, they can never rise up again. There is no beauty to compare with Krsna's, for no one possesses beauty greater than or equal to His."
"The Vedic hymn known as kama-gayatri describes the face of Krsna as the king of all moons. In metaphorical language, there are many different moons, but they are all one in Krsna. There is the moon of His mouth, the moon of His cheeks, the moonspots of sandalwood pulp on His body, the moons of the fingertips of His hands and the moons of the tips of His toes. In this way there are twenty-four and a half moons, and Krsna is the central figure of all of them."
"The devotee increasingly feels the absence of Krsna, for without Him one cannot drink the nectar of His beauty. When the transcendental sound of Krsna's flute is heard, the devotee's anxiety to continue to hear that flute enables him to penetrate the covering of the material world and enter into the spiritual sky, where the transcendental sound of the flute enters into the ears of the followers of the gopis. The sound of Krsna's flute always resides within the ears of the gopis and increases their ecstasy. When it is heard, no other sound can enter into their ears, and amongst their family they are not able to reply to questions properly, for all these beautiful sounds are vibrating in their ears."
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